Smith expanded his lo-fi setting to include elements of drums, harmonica, cello and organ upon debuting on Kill Rock Stars with his self-titled second solo LP in 1995. The guitarist and vocalist of esteemed Portland indie-pop outfit Heatmiser was no stranger to recording under his own name, crafting a stark, brittle solo debut in 1994 with Roman Candle for the Cavity Search imprint utilizing nothing more than a cheap four-track and a Radio Shack microphone to capture the sound. That all changed the day Moon signed singer-songwriter Elliott Smith. “ When Slim Moon and Tinuviel Sampson founded Kill Rock Stars in 1991, the record label was distinct among the American indie scene with its roster made up almost exclusively of female artists.
The Observer looked back at Either/Or on its twentieth anniversary in 2017: To show its reputation and impact, there are some reviews that I want to source, prior to rounding things off. It is one of the most affecting albums that I have ever heard. I am a recent convert of Elliott Smith, and I have spent a lot of time with Either/Or. I think that, prior to its twenty-fifth anniversary, more people should listen to it. It is possessed of masterful and beautiful songwriting throughout. Containing tracks such as Angeles, and the immortal Behind the Bars, Either/Or is regarded as one of the best albums ever. Either/Or was recorded in several locations, mostly in Portland, Oregon, and it was produced by Smith, Tom Rothrock and Rob Schnapf. One of his very best turns twenty-five on 25th February, 1997. In his short lifetime, he left us with some phenomenal albums. The Portland-born songwriter was only thirty-four. The world received the heartbreaking news that Elliott Smith had died (from suspected self-inflicted stab wounds).
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